Joy Episalla’s work repositions photography and the moving image into the territory of sculpture. From a queer/feminist perspective, Episalla engages with the dynamics of transformation, multiplicity and hybridity through the mutability of materials, observation, process, time, movement, seriality and sound. In her film As long as there's you, as long as there's me, she sequences and parlays disparate filmed moments into a travelogue of non-performance performance.
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